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Coming Up:


Stan's Workshop Material for the Top Half Folk Festival, 10 - 14 June, 2021

The script and Powerpoint for Stan's banjo workshop can be found using this link:

Copy the"Powerpoint" folder to your desktop, then open the "Top Half 2021.pptx" file.

 14-16 January, 2022

The New Holland Honey Eaters will be performing concerts at the 40th Cygnet Folk Festival, Cygnet, Tas. For details, see the Festival web site at Cygnet Folk Festival


28-30 January, 2022

Stan will be performing a concert at the Tamar Valley Folk Festival, George Town, Tas. For details, see the Festival web site at Tamar Valley Folk Festival

Where We Are:

Launceston is a city of about 86,000 people located at the head of the Tamar River about 50km from Bass Strait at the confluence of the North and South Esk Rivers.

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One-Man Epic an Attention-Keeper

Theatre Review



Glen Berger’s UNDERNEATH THE LINTEL, by Three River Theatre and Centr Stage at the Annexe Theatre, Inveresk

 One-person plays are difficult to stage suc­cessfully because they depend on the virtuosity of one actor, who must obey T. S. Eliot's dictum - 1: Hold the audience's attention; 2: Don't lose it; 3: Repeat 1 and 2.

 Stan Gottschalk holds our attention master­fully in this 1 1/4 hour New York play, skillfully directed by Stuart Loone, which starts when a librarian dis­covers a book has been returned after 113 years.

 Some one-person plays use the device of having the actor play numerous roles.  In this one Gottschalk plays only the librarian. But he completes such an amazing journey, in time, in space and in a sense beyond both, that this play assumes the form of an epic.

 It is a remarkable achievement for such a restricted and limited form as the one-person play to embrace such a breadth of places, themes and ideas.

 Most epics involve a journey of the avatar hero who represents and leads a community towards a promised land or empire. In this play Gottschalk trans­forms an obscure li­brarian into an epic hero whose journey leads us towards our own best dreams and highest ideals.

 The set is utilitarian and the lighting and sound minimal, but the actor uses a blackboard and a slide projector to create, almost, other characters on stage.

 Patrons will inevitably compare this play with Mel Gibson's film The Passion Of The Christ, and the play will not suffer by the com­parison.

 Humorous, mysteri­ous and never dull, this is a journey of the soul with the power to trans­form.

 This performance continues at the Annexe Theatre, Inveresk, until Saturday.





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