Nothing Happened – but Everything Did
Theatre Review
By Marcus Bower
Regarded as “the most significant English language play of the 20th century”, Stan Gottschalk’s much anticipated production of Waiting for Godot opened successfully at the Earl Arts Centre on Wednesday night.
Subtitled a tragicomedy in two acts, Samuel Beckett’s critically acclaimed work challenged and entertained the large and appreciative opening night audience in equal measure. Given that there is no linear narrative as such, the script can and has been interpreted on a number of philosophical platforms; however, if Waiting for Godot is some theatrical enigma wrapped in a dramatic puzzle, then Gottschalk and company went a very long way in unravelling the marvellous mystery that is this play.
Essentially two characters, Estragon and Vladimir wait endlessly and in vain for someone named Godot to arrive. As the chief protagonists, Jeff Hockley and Michael Edgar worked the script with flair and feeling. Their timing and interplay were wonderful to witness as Hockley’s comedic skills bounced off the more austere Edgar in what appeared to be a vaudevillian homage to Laurel and Hardy. The clown and the tormented thinker reflected in so many ways Beckett’s belief that life was an endless mix of laughter and pain that we all had to endure...
Into this existential world strode Kendan Lovell as the deliciously despotic Pozzo and his much put upon servant Lucky, played with a deft touch by the multi-talented Chris Jackson. Their arrival and departure rattled the dramatic cage and added yet another dimension to this powerful piece of theatre. Billy Cure as The Boy completed the talented ensemble.
Randall Lindstrom’s striking minimalistic set gave the play a marvellous theatrical platform while the atmospheric lighting design added significantly to the play as a whole.
Stan Gottschalk’s Waiting for Godot was an intelligent, provocative and ultimately rewarding dissection of the human condition where nothing happened-but everything did. It is a significant addition to Three River Theatre’s enviable body of work and should not be missed. It continues at The Earl Arts Centre until October the 22nd so don’t wait –book a seat now!
Contact
You can send a message to us at: stan@stanspage.com
Welman Street Film Society
List of Films
Title |
Director |
Country |
1. The Last Picture Show |
Peter Bogdanovich |
USA |
2. In the Heat of the Night |
Norman Jewison |
USA |
3. Padre Padrone |
Taviani Bros. |
Italy |
4.Lawrence of Arabia |
David Lean |
UK/USA |
5. La Strada |
Federico Fellini |
Italy |
6. La Regle Du Jeu |
Jean Renoir |
France |
7. Amarcord |
Federico Fellini |
Italy |
8. Psycho |
Alfred Hitchcock |
USA |
9. The Passenger |
Michelangelo Antonioni |
Italy |
10. The Seven Samurai |
Akira Kurosawa |
Japan |
11. My Man Godfrey |
Gregory LaCava |
USA |
12. Room at the Top |
Jack Clayton |
UK |
13. Blazing Saddles |
Mel Brooks |
USA |
14. Wings of Desire |
Wim Wenders |
Germany/France |
15. Nashville |
Robert Altman |
USA |
16. Double Indemnity |
Billy Wilder |
USA |
17. The Conformist |
Bernardo Bertolucci |
Italy |
18. King of Hearts |
Philippe de Broca |
France |
19.M. Hulot’s Holiday |
Jacques Tati |
France |
20. Grande Illusion |
Jean Renoir |
France |
21.All About Eve |
Joseph Mankiewicz |
USA |
22.Paths of Glory |
Stanley Kubrick |
USA |
23.Rashomon |
Akira Kurosawa |
Japan |
24.The Trial |
Orson Welles |
France |
25.Network |
Sidney Lumet |
USA |
|
|
|
First Welman St Film Festival |
Director Theme - France |
|
26. Le Corbeau |
Henri-Georges Clouzot |
France |
27. Wages of Fear |
Henri-Georges Clouzot |
France |
28. Les Diaboliques |
Henri-Georges Clouzot |
France |
|
|
|
29. Eye of the Needle |
Richard Marquand |
UK |
30.Breathless |
Jean Luc Goddard |
France |
31.The Bedford Incident |
James B. Harris |
USA |
32.Tabu |
Miguel Gomes |
Portugal |
33. Through a Glass Darkly |
Ingmar Bergman |
Sweden |
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|
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Second Welman St Film Festival |
National Theme - Italy |
|
34. Journey in Italy |
Roberto Rosselini |
Italy |
35. Il Divo |
Paolo Sorrentino |
Italy |
36. Marriage Italian Style |
Vittorio de Sica |
Italy |
|
|
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37. North By Northwest |
Alfred Hitchcock |
USA |
|
|
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Third Welman St Film Festival |
Genre Theme- International Heist/Caper Films of the 1950s |
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38. The Killing |
Stanley Kubrick |
USA |
39. The Lavender Hill Mob |
Charles Crichton |
UK |
40. Rififi |
Jules Dassin |
France |
41. Big Deal on Madonna Street |
Mario Monicelli |
Italy |
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|
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42. Death in Venice |
Luchino Visconti |
Italy |
43. Don't Look Now |
Nicholas Roeg |
UK/Italy |
44. The Roundup |
Miklos Janczo |
Hungary |
45. Bringing Up Baby |
Howard Hawks |
USA |
46. Tender Mercies |
Bruce Beresford |
USA |
47. Lilies of the Field |
Ralph Nelson |
USA |
48. A Man Escaped |
Robert Bresson |
France |
49. Shane |
George Stevens |
USA |
50. The Angels' Share |
Ken Loach |
UK |
51. A Touch of Evil |
Orson Welles |
USA |
52. Ivan's Childhood |
Andrei Tarkovsky |
Russia |
53. Room |
Lenny Abrahamson |
Canada |
54. Tokyo Story |
Yasujirō Ozu |
Japan |
55. Witness for the Prosecution |
Billy Wilder |
USA |
56. Andrei Rublev |
Andrei Tarkovsky |
Russia |
57. Broken Circle Breakdown |
Felix Van Groeningen |
Belgium |
58. Locke |
Steven Knight |
UK |
59. Silent Wedding |
Horatiu Malaele |
Romania |
60. Annie Hall |
Woody Allen |
USA |
61. Anatomy of a Murder |
Otto Preminger |
USA |
62. The Olive Tree |
Iciar Bollain |
Spain |
63. Places in the Heart |
Robert Benton |
USA |
64. Walkabout |
Nicolas Roeg | Australia |
65. The Hustler |
Robert Rossen | USA |
66. Elektra |
Michael Cacoyannis | Greece |
67. Gaslight |
George Cukor | USA |
68. The Power of the Dog |
Jane Campion | New Zealand |
69. Sunset Boulevard |
Billy Wilder | USA |
70. Burn |
Gillo Pontecorvo | Italy |
71. Dean Spanley |
Toa Fraser | UK/NZ |
72. In a Lonely Place |
Nicholas Ray | USA |
73. Sweet Smell of Success |
Alexander Mackendrick | USA |
74. Cinema Paradiso |
Giuseppe Tornatore | Italy |